Welcome to a new edition of the Neon Jazz Interview Series with Washington, DC–based baritone saxophonist, composer, and bandleader Leigh Pilzer.
On this episode, we dive into Leigh's compelling new 2026 album, Keep Holding On, released on Strange Woman Records. The project finds Pilzer exploring intimate trio and quartet settings, creating an environment where composition, improvisation, interaction, phrasing, and musical structure can breathe.
Leigh brings a distinctive compositional philosophy to the record. Rather than simply placing her baritone saxophone within an ensemble, she approaches instrument, composition, arrangement, and collaboration as one unified expressive system.
The result is music where every detail matters—from the shape of a melody and the architecture of an arrangement to the spontaneous interaction between musicians.
In this conversation, Leigh and Joe also explore what it means to create meaningful music in 2026 America, the evolving role of the jazz composer and bandleader, her approach to ensemble design, and the possibility of bringing her music to Kansas City in the near future.
Keep Holding On is a fascinating look at what can happen when composition, musicianship, improvisation, and ensemble chemistry become inseparable.
This is a conversation about the architecture of jazz—and the freedom that can emerge when great musicians know exactly when to follow the structure and when to break away from it.
Leigh Pilzer — Keep Holding On
https://leighpilzer.bandcamp.com/album/keep-holding-on
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